The main character in this open-world action-RPG adaptation of the late Akira Toriyama's Sand Land is arguably its egg-shaped tank. Developer ICLA has crafted a game with a heavy emphasis on vehicular combat and traversal, which is a fitting design choice considering Toriyama's love and passion for anything with a motor. You only have to glance at the number of vehicles featured in the Dragon Ball series to appreciate the legendary artist's vehicular love affair. As iconic and instantly recognizable as Toriyama's character designs are, his unique vehicle designs are just as evocative and essential to his signature world-building. Whether it's a car, scooter, hovercraft, or airship, Toriyama's anomalous designs are a delight, and Sand Land's bulbous tank is one of his best, mixing his characteristics with historical influences to create a memorable piece of machinery. ICLA's Sand Land might lack substance beneath its oozing style, but sitting behind the cockpit of some of Toriyama's intricately designed vehicles is a near-constant treat, even if it falters elsewhere.
The first half of the game's story is a faithful retelling of the original 14-chapter one-shot manga released in 2000. Set in the titular wasteland, Sand Land centers on a desert world suffering from an extreme water shortage, where sci-fi, fantasy, action, and comedy intertwine. You play as the rambunctious pink-skinned demon prince, Beelzebub, a video game-obsessed fiend who's as good as gold despite his protestations otherwise. Alongside the stern-faced Sheriff Rao and your wise old pal, Thief, you embark on a quest to uncover a rumored water source that will hopefully restore Sand Land to life. The second half of the game's narrative covers the brand-new events featured in the recently released anime adaptation. While the first six episodes of the show rehash the familiar ground of the manga, the last seven episodes function as a sequel to the original story, with Toriyama conceptualizing a fresh tale that sees Beelzebub, Rao, and Thief embroiled in a lopsided war after venturing into the neighboring Forest Land.
Sand Land might not be as popular as Toriyama's other works, such as Dragon Ball and Dr. Slump, but despite its niche nature, its recent resurgence isn't without merit. The characters and world-building found in Sand Land are its greatest strength, and these elements are seamlessly translated into the game. The relationship between Beelzebub, Rao, and Thief is just as charming as it was on the page, while the game's open world gives their conversations and banter space to breathe as you travel between locations. These moments excel when pulling lines straight from the manga, but pockets of incidental dialogue have a habit of repeating over and over again, which quickly becomes grating to the point where I wish I could've muted it completely.
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